Showing posts with label Rubino. Show all posts
Showing posts with label Rubino. Show all posts

Saturday, July 19, 2008

FORTUNATE ACCIDENTS...

This has got to be one of my favorite pieces...
Aiyana's Silver Reaction

(click on the image for a better view)

Of course it has my beloved Opal Yellow & Rubino... but I've been trying to add a little spice to that affair by adding more layers... so this one was partially wrapped in silver foil before laying down the Rubino dots from top to bottom... crazy how the Rubino reacts to the silver, isn't it?

When I first did this combination I had no clue that it did this... I was just so excited about how the glass pushes the silver into the gaps between the dots I laid down & when the glass was still hot the Rubino didn't look all that different than normal & I loved it... so I made probably 8 silver wrapped OY/Rubino beads that day & was shocked as heck when I saw what the bead fairy had left me the next morning when I opened up my kiln. Disappointed, actually. I thought, "Ugh, moss green!" I didn't like it. It wasn't what I was expecting. I really considered just tossing them. But, I went out to Lampwork Etc to see if anybody was talking about this combo & couldn't believe all of the comments about how much they loved the reaction between Rubino & silver. What???? LOL. Okay... so I didn't particularly love it, BUT maybe someone, somewhere would like them.

This was just before a show... so I decided to go ahead & price them & put them out on the table..... guess what I sold all of??? LOL. I guess people liked them. :o)

& actually... the reaction has really grown on me, too. Especially when I use it as a base for other designs, like the Raku stringerwork I did on the beads above... I just LOVE that.

If you didn't notice the link above, LOL, it's actually for sale in my Etsy shop.

Expect to see more of this from me. :o)

Till next time...

Julie

Thursday, January 3, 2008

WHY IN THE WORLD DO YOU NEED A NEW KILN???...

that's what what you're asking yourself, isn't it?? LOL! Afterall... my current kiln (a Jen Ken AF3P 11/4.5 with 2" Flip Door) is only 8 months old or so... brand spanking new, for all practical purposes & it's plenty big for normal beadmaking use. Usually...when you make beads, after a bead has been in the kiln for a little bit, you can move it over to make room for more, even pile them on top of eachother & they'll be perfectly fine. I've done this many times when I'm running out of room...but I have a fun little story to tell you... (LOL!)

As you already know, I'm having an affair w/ Opal Yellow & Rubino glass & now that my pieces are getting larger, running out of room happens often. The first time I made a dozen or so handles for my serving pieces & things were getting tight in the kiln, I took the beads I had made earlier...the ones that had been in the kiln for hours...& moved them over into a pile to make room for more (I was on a roll). After going through the normal annealing cycle & the beads were at room temperature & ready to come out to be fondled by me, :o) I opened up my kiln & picked up the first mandrel & along came about 8 more mandrels w/ a really big clump of beads attached. UGH!!!! I was able to get the majority of them unstuck, but they had missing glass or extra glass from the neighbor's missing glass, LOL! OMG, it made me sick. All that work... all that EXPENSIVE glass!!! UGH. I didn't understand it, I've stacked beads many times before no problem, what was different w/ these??? So, I headed out to Lampworks Etc to see if I could find some answers. I posted a "what the heck?" thread, mentioned what glass I used & the answer was immediate... RUBINO. It was the Rubino, which stays sticky, no matter how long it's been in the kiln. So there you go. I didn't toss the beads, I did a search on LE about fixing beads & found that it was possible to put them in a cold kiln & slowly bring it up to 1040 degrees, let it soak for at least 30 more minutes at that temp & then bring them out, one at a time, of course, & slowly introduce them back into the flame, reheating the whole bead & fixing the places that needed fixin'. This can be done w/ cracked beads, too. Many people said that they didn't ever bother trying this because they lose more than they save, but I was able to save every single bead. Yes!!

So...I guess I can say that whole experience was a VERY useful one, I learned some valuable information... but I also learned that my kiln is too small for what I'm doing. Even though I don't stack them anymore if they have Rubino (which MOST do, of course, LOL!), sometimes when I'm putting a bead into the kiln, I accidently touch it to its neighbor because there is only so much space & they stick together, ugh! So, although I can fix them later, it's frustrating & time consuming.

So...(I like that word!) I ordered a Glass Hive Annealer & I can't wait to get it! Its interior is 18" wide x 4 1/2" high x 6" deep... my Jen Ken is an 11" wide interior hexagon x 4 1/2" tall, but the door is only 2" tall! This new one has TWO 10" wide by 4" high doors!!!! This is going to be fantastic! There have been times where 2" is barely big enough to get the bead in w/out scraping the sides! LOL. I'm going to come up w/ some sort of back wall (a piece of steel w/ a grid of holes) so I can easily stack beads as I go... who knows how quickly 18" width will fill up?? :o)

Anyway...my friend Mallory is buying my Jen Ken...she had been bugging me to upgrade so she could buy it from me, LOL, so she got her way. :o)

Friday, December 28, 2007

I'M HAVING AN AFFAIR...

...with Opal Yellow & Rubino.



Is this allowed??? :o)

I'm completely in love w/ these colors & they're basically all I work w/ these days... except for some black bases & dots of copper green. I try to do as much black base as I can since OY & Rubino are premium colors. I use ALOT of them both.

I look at the beautiful beads that are being posted in the LE Gallery & they're so colorful...lots of transparents & silver glasses... pretty & shiny. Mine are the complete opposite. First of all they're big, but secondly, they're solid & I think fairly masculine. People love them, which is awesome for me, LOL, but why haven't I gotten into the transparents?? There's nothing cooler than being able to look "inside" a glass piece... see the depth & the details of what's going on in there.

I think I'm just better at "surface" decoration than what's underneath.

I guess I need to think about those glass artists that are known more for their surface designs...Larry Brickman, Christina Logan, Larry Scott, Brad Pearson, Dustin Tabor & other artists like them. They're making it big w/ solid surface decoration, I shouldn't worry what other people are doing so much, should I?? :o) People say I have a distinctive style...I think this is a good thing. Right??? :o)

As far as SIZE goes... since my pieces seem to be fairly large, for the most part...when I was looking @ Larry Brickman's pieces @ the Gathering, I was just blown away at their size... they're HUGE & he gets a pretty penny for them, too. He told me [something like] "think about all of the glass artists out there making it big... are they making tiny insignificant pieces??? Nope, they're making big, memorable pieces." This is true, so I'm natually on the right track. :o)
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