I've been having one of those days. You know, those days where you're feeling insecure about where you are & where you're going. I don't get it, life is good.
I'm thinking alot about teaching... I'm dying to teach, but I question WHAT I have to offer that all of these fantastic instructors don't? Who am I? Am I different enough that others will want what I'm offering? Am I good enough? I've been told that I'm a fantastic teacher... but...
BUT. Stupid word.
It's been a pity party kind of day. Can't believe I'm writing about it.
I guess it's on my mind because I'm [supposed to be] in the process of getting my studio cleaned up & set up for teaching one on one. I've been talking about doing it for a long while now... it's just time to DO IT!! I get asked often enough if I teach... I'd love to say YES.
Hey! How about a picture of some sweet acorns??? :o)
Time to kick the pity party to the curb & actually do something that's going to move me forward, right?
Just do it....
Showing posts with label teaching. Show all posts
Showing posts with label teaching. Show all posts
Wednesday, August 24, 2011
Wednesday, June 29, 2011
BEAD & BUTTON & BEYOND....
Well.... The Bead & Button Show was a great success.... always a great time, I love to interact w/ customers & I especially love catching up w/ friends.
I really went crazy getting inventory ready for the show, so I came home w/ plenty of product to stock my Etsy shop w/... so that's what I've been doing since I've been home.
Plenty of acorns....
heart bead keys....
Next on the agenda.... cleaning out my studio & adding a 2nd torch for teaching!! I bought a new torch @ the show, so excited about hooking it up!
Till next time....
I really went crazy getting inventory ready for the show, so I came home w/ plenty of product to stock my Etsy shop w/... so that's what I've been doing since I've been home.
Plenty of acorns....
some fabulous large hole beads....
some gorgeous heart beads....heart bead keys....
....& several kaleidoscoopes....
I have more to list over the next several days.... so much work!Next on the agenda.... cleaning out my studio & adding a 2nd torch for teaching!! I bought a new torch @ the show, so excited about hooking it up!
Till next time....
Friday, September 3, 2010
Friday, August 20, 2010
THINGS ARE HAPPENING.....
Some really amazing things are happening these days... things that I've been keeping quiet about until I knew for a fact that they were really truly going to happen. I didn't want to jinx it... it's kind of one of those things that if you talk about it & it doesn't happen, it'll really stink! :o)
It's still a little early...but I can tell you about it now that I've just seen a copy of it. Might not be a big deal for my many well published friends (although I know you'll be proud of me still!).... but this is HUGE for me... my very first... & they came to me.
I got an eMail in May from a woman who said she was a freelance writer for BEADWORK magazine & wrote their regular Bead Artist column. She asked if I'd like to be featured in the next column... that my glasswork was fantastic & that she was particularly taken w/ my acorns & birdhouse beads. She said that she'd like to interview me over the phone (an hour to an hour & a half) & that they'd want me to send them some of my pieces to photograph. I have to say that my initial reaction was to be skeptical, I've heard of scams out there where people want you to send them your pieces for one thing or another... but once I did a little research & found out that the woman, Tina Koyama, is INDEED a writer for BEADWORK & does write the Bead Artist column (& is also a very talented beadweaver & artist! I realized @ that point that I knew her work!). I was beside myself & of course said YES!
I think I only told my husband & a couple of friends @ first (a few family members, too)... I was nervous & really unsure that this was really really going to happen. I didn't want to blab it to the world & then have it somehow fall through (or get put on the back burner for a long time or something) ...that would be awful. So as much as I wanted to shout it to the world, I kept it quiet.
On the day of the phone interview I thought I was going to hurl!! So nervous about how I was going to come across... if I was going to find enough to say, explain myself well, etc. (A.D.D. = not always the best @ descriptions, directions, etc.) Tina made it all really really easy. She had spent some time on my website & blog... was familiar w/ my style, background & such and had some really great questions plotted out. What a relief! (I am finding more & more that when I'm talking about stuff like this... subjects that I'm really passionate about & really know inside & out, I need to chill out & have confidence that I know what I'm talking about & will come across just fine.)
After the interview, Tina eMailed me & said (I have to quote her), "Julie, thanks so much for the delightful interview! It's always a joy to interview someone who is articulate because it makes my job of writing so much easier. I thoroughly enjoyed hearing about your process and amazing work, and I'm looking forward to seeing where your work goes in the future!"
Articulate.... she called me articulate! :o) That really tickled me... & truly made my day! (Thank you, Tina!)
She let me know that the interview would be in the October/November issue..... wow, really?? It really truly was going to happen. Really. Truly. OMG.
I still kept it to myself.... sent off way too many pieces to give them plenty to choose from & just prayed that the photographer & editor(s) would love my work, too & enjoy choosing the pieces for the layout.
I got to see a pdf copy of the actual page a few days ago... it really choked me up. Tina did a fantastic job w/ the interview (if I may say so!) & they edited it just perfectly. It has 7 of my pieces pictured, including 4 electroformed pieces...an acorn, birdhouse, heart, & tribal spike (aka. man bone). After the editor saw my pieces in person, they had me write a little paragraph about the electroforming process. (can you imagine ME writing a "little paragraph" about anything?? It was truly painful, LOL.)
The issue will be hitting mailboxes around September 9th & will be @ newsstands on September 21st.
Other than advertising (which I don't think counts!), this is my first time being published in a magazine! Unreal.
Gave me goosebumps. Can't imagine how I'd feel if I ever wrote a book, or was even included in one! (oh yeah, LOL, a few of my beads are used in my sweet friend's, Rona Horn, new book "Take the Next Step" http://tinyurl.com/take-ne xt-step! Woo-hooo!!!)
Now I gotta get busy & get pieces listed online!!!
If you want me to let you know when pieces have been listed in my Etsy shop (before September 9th!), head to the CONTACT page on my website & sign up for my newsletter. I think it's about time I actually wrote a newsletter. :o) You can also follow me here on my blog, I'll be sure to blog as I get things online... & I'm also setting up a Facebook fan page (Julie Nordine | Credit River Art Glass: Handmade Art Glass Beads... not public yet) where I'll have info about listings, post photos of current work, & will have things like events, classes, etc listed.
This is long enough... I still have more news... I'll share that later. :o)
Thanks for all of your support! I'm really excited about whatever comes along next!!
Till then...
~ Julie
ps...BTW... the Bead Artist column is the very last page of the magazine! You don't even have to go searching to find me. :o)
It's still a little early...but I can tell you about it now that I've just seen a copy of it. Might not be a big deal for my many well published friends (although I know you'll be proud of me still!).... but this is HUGE for me... my very first... & they came to me.
I got an eMail in May from a woman who said she was a freelance writer for BEADWORK magazine & wrote their regular Bead Artist column. She asked if I'd like to be featured in the next column... that my glasswork was fantastic & that she was particularly taken w/ my acorns & birdhouse beads. She said that she'd like to interview me over the phone (an hour to an hour & a half) & that they'd want me to send them some of my pieces to photograph. I have to say that my initial reaction was to be skeptical, I've heard of scams out there where people want you to send them your pieces for one thing or another... but once I did a little research & found out that the woman, Tina Koyama, is INDEED a writer for BEADWORK & does write the Bead Artist column (& is also a very talented beadweaver & artist! I realized @ that point that I knew her work!). I was beside myself & of course said YES!
I think I only told my husband & a couple of friends @ first (a few family members, too)... I was nervous & really unsure that this was really really going to happen. I didn't want to blab it to the world & then have it somehow fall through (or get put on the back burner for a long time or something) ...that would be awful. So as much as I wanted to shout it to the world, I kept it quiet.
On the day of the phone interview I thought I was going to hurl!! So nervous about how I was going to come across... if I was going to find enough to say, explain myself well, etc. (A.D.D. = not always the best @ descriptions, directions, etc.) Tina made it all really really easy. She had spent some time on my website & blog... was familiar w/ my style, background & such and had some really great questions plotted out. What a relief! (I am finding more & more that when I'm talking about stuff like this... subjects that I'm really passionate about & really know inside & out, I need to chill out & have confidence that I know what I'm talking about & will come across just fine.)
After the interview, Tina eMailed me & said (I have to quote her), "Julie, thanks so much for the delightful interview! It's always a joy to interview someone who is articulate because it makes my job of writing so much easier. I thoroughly enjoyed hearing about your process and amazing work, and I'm looking forward to seeing where your work goes in the future!"
Articulate.... she called me articulate! :o) That really tickled me... & truly made my day! (Thank you, Tina!)
She let me know that the interview would be in the October/November issue..... wow, really?? It really truly was going to happen. Really. Truly. OMG.
I still kept it to myself.... sent off way too many pieces to give them plenty to choose from & just prayed that the photographer & editor(s) would love my work, too & enjoy choosing the pieces for the layout.
I got to see a pdf copy of the actual page a few days ago... it really choked me up. Tina did a fantastic job w/ the interview (if I may say so!) & they edited it just perfectly. It has 7 of my pieces pictured, including 4 electroformed pieces...an acorn, birdhouse, heart, & tribal spike (aka. man bone). After the editor saw my pieces in person, they had me write a little paragraph about the electroforming process. (can you imagine ME writing a "little paragraph" about anything?? It was truly painful, LOL.)
The issue will be hitting mailboxes around September 9th & will be @ newsstands on September 21st.
Other than advertising (which I don't think counts!), this is my first time being published in a magazine! Unreal.
Gave me goosebumps. Can't imagine how I'd feel if I ever wrote a book, or was even included in one! (oh yeah, LOL, a few of my beads are used in my sweet friend's, Rona Horn, new book "Take the Next Step" http://tinyurl.com/take-ne
Now I gotta get busy & get pieces listed online!!!
If you want me to let you know when pieces have been listed in my Etsy shop (before September 9th!), head to the CONTACT page on my website & sign up for my newsletter. I think it's about time I actually wrote a newsletter. :o) You can also follow me here on my blog, I'll be sure to blog as I get things online... & I'm also setting up a Facebook fan page (Julie Nordine | Credit River Art Glass: Handmade Art Glass Beads... not public yet) where I'll have info about listings, post photos of current work, & will have things like events, classes, etc listed.
This is long enough... I still have more news... I'll share that later. :o)
Thanks for all of your support! I'm really excited about whatever comes along next!!
Till then...
~ Julie
ps...BTW... the Bead Artist column is the very last page of the magazine! You don't even have to go searching to find me. :o)
Saturday, January 23, 2010
TEACHING & GUINEA PIGS...
(I broke this post up into 3 parts... it's a freakin' book, sorry... if you'd like to follow along, I've posted them in reverse order so you read them from the top down, like a book, because I'm posting them all @ once)
BUT...I don't really know if I CAN teach. You know what I mean?

So..the more people who ask, the more I want to know if I can & realize that the only way to know is just to do it, right??
I wrote a post a while ago about Robin Koza & Carol Watson, who I met @ The Bead & Button Show... we made a great trade & started a fun friendship. Well, Robin posted a beautiful etched copper cuff on Facebook as well as some etched copper sheets... they were FABULOUS & I couldn't stop myself from contacting her about wanting to buy some of the sheets or make some sort of trade again. I totally could see me incorporating these etched copper pieces into my work. Somewhere along the way I said something about some "Julie torch time", (Robin had told me after B&B that she wanted to take my first class, no matter where or when it happened!) ...turns out that's what we were going to trade!! :o) Carol contacted me a short time later to say "I want to come, too!"
Panic!!! I'm not set up to teach one person, let alone two, in my studio...plus it's a disaster... what to do? I'm thinking..."is there anywhere in between me (Minnesota) & them (Indiana) where we can meet & torch?" Seems while I was worrying about this, Robin & Carol were talking & came up w/ a fabulous plan!! Robin asked me if I was interested in having them flying me out to them? They had a local teaching studio where they could rent torch time & we could all torch together. FABULOUS! FABULOUS! FABULOUS!!! Definitely cheaper for them to fly me out, I could stay in Robin's guest suite (made for a Queen!) & we could spend the weekend learning from eachother. Needless to say, I didn't hesitate saying YES!!
So we made a list of what they want to learn from me. I'm checking out their websites & see that they've taken classes from MULTIPLE fabulous glass artists, way beyond anything I've ever done AND they both teach a variety of classes!! I'm thinking "what in the world could I possibly teach them that they don't already know? Am I really going to bring anything to the table?" They reassured me that I would be. :o)
On their list:
- Big Disc Beads
- Shaping tips & techniques
- Hints on working w/ silver glass
- My thoughts on Color Theory
- Making glass acorns & electroforming them
- Showing them how to put together an expanded electroforming setup
- Kaleidoscopes
- Copper display tree
"I'm so glad that you're both excited about this... I am, too!! I'm just hoping that you aren't expecting more than I can bring to the table! :o) I'm not this brilliant lampworker, you know I've never taught before... I don't even know if I can or SHOULD teach, LOL... I probably have really bad habits that I shouldn't be passing on to others, :o) ...I don't know if I do or not, but you never know! I probably could teach you alot about covering up mistakes, LOL... I'm really good at that! :o)
I also use an electric mandrel spinner...it's my crutch... I don't know if I can turn a mandrel by hand anymore. :o) Actually, I know that I can, LOL...you just work much hotter w/ a spinner, so I'd have to adjust [when working manually]. Do either of you have an electric mandrel spinner... or are either of you interested in learning how to use one? I know Carol likes to make utensil handles... this is why I bought my spinner in the first place... it cuts down my base bead making time, probably by more than half... and it makes pretty much perfectly balanced (centered) beads w/out much effort. I've turned more than a few long distance friends onto them... but then I'm not there to help them figure it out, so I know it's been frustrating for at least one or two of them. That is one of the ideas I have for a class I'd like to teach...the ins & outs of a mandrel spinner... & then making large beads for functional pieces (using the spinner). I talked to Scott Bouwens (Bearfoot Art Glass) at B&B about setting me up w/ a classroom set of spinners & rolling marvers... we still need to work it out, I certainly won't be ready to buy them by December, though. So... if either of you have ever wanted one of these, now's the time so I can give you all of my tips & tricks. (Scott has a 6-8 week lead time on these right now. No, they're not cheap... but boy, mine paid for itself almost instantly. Make sure you pick up the small sized brass rolling marver, too... really essential to have w/ the spinner.
Gosh... your list of what you want to learn... I'm laughing, because I've been able to get really good at these things BECAUSE of the mandrel spinner. LOL. Shaping: mandrel spinner... large discs: mandrel spinner. :o) I only started making those large discs recently & they're pretty much a breeze w/ the spinner.... I'm sure I can do them w/out... but why? LOL.
Color theory, eh? That would mean I actually have to have deep thoughts on the subject, doesn't it? You forget, I'm ADD. :o) I know somewhat what I like... I play, if it works it works & I use it... over & over & over again, LOL, if it doesn't I move on. We can talk it through, though... discussion & feedback is a good thing.
Silver glass.... I have a bunch of silver glass that I can't get to do squat... I find ones that like me & I work w/ them. :o) This is a work in progress for me, hit & miss at times... I might be able to teach you guys some things, but I can't guarantee that you don't already know everything I do!
Did I change your mind? :o) I think as long as we all go into this as a great learning experience for all, we'll be good.
This is good for me, too... I like the idea of just a few "students" at first...how do you guys feel about being my guinea pigs? :o)"
So....that's what we did!! I'll tell you all about THAT in my next post... this is already a book. :o)
GUINEA PIGS, CONTINUED...
So...continuing on w/ this book, ;o)
We kind of kept this to ourselves... I definitely wanted to keep the "class" to a bare minimum... they're so cute... they seem to think that if word got out that it could get out of hand or something.... like I'm a superstar or something. LOL. Yeah, uh-huh.
The first evening I was there, Robin pulled out her beads & we had a little consultation. This was really a cool thing... really good for both of us. She started out by saying that she just wasn't feeling like she had found her voice in beadmaking yet & that when she looks @ her beads she sees the styles of those that she's learned from. She wasn't loving her color combinations & just wasn't sure where to go next. We were able to talk about the positives & negatives in certain beads & it was really cool because I really felt like I was able to read her really well & was able to give her some valuable input. It was good & honest & constructive. I gave her some steps that she should take next & I hope it will put her on the right path to finding her beadmaking voice.
We were off to a good start. This was really good... eye opening for myself, really. Gave me a little bit more confidence in what I have to offer.
Problem-solving. It's really what I've done for as long as I can remember. As an interior designer, I problem solved, it was my job. I have an eye for shape & proportion... I definitely know what colors work or don't work when I see them. I can look @ something & see what might or might not be working right & what can be tweaked. Maybe that's something I can offer to others??
The next morning before we started torching, I did the same thing w/ Carol & her beads and then we got to work!
We kind of kept this to ourselves... I definitely wanted to keep the "class" to a bare minimum... they're so cute... they seem to think that if word got out that it could get out of hand or something.... like I'm a superstar or something. LOL. Yeah, uh-huh.
The first evening I was there, Robin pulled out her beads & we had a little consultation. This was really a cool thing... really good for both of us. She started out by saying that she just wasn't feeling like she had found her voice in beadmaking yet & that when she looks @ her beads she sees the styles of those that she's learned from. She wasn't loving her color combinations & just wasn't sure where to go next. We were able to talk about the positives & negatives in certain beads & it was really cool because I really felt like I was able to read her really well & was able to give her some valuable input. It was good & honest & constructive. I gave her some steps that she should take next & I hope it will put her on the right path to finding her beadmaking voice.
We were off to a good start. This was really good... eye opening for myself, really. Gave me a little bit more confidence in what I have to offer.
Problem-solving. It's really what I've done for as long as I can remember. As an interior designer, I problem solved, it was my job. I have an eye for shape & proportion... I definitely know what colors work or don't work when I see them. I can look @ something & see what might or might not be working right & what can be tweaked. Maybe that's something I can offer to others??
The next morning before we started torching, I did the same thing w/ Carol & her beads and then we got to work!
We met @ Boca Loca Beads, a beautiful retail bead shop & lampworking studio owned by Jari Sheese. What a neat lady. We walked in the door & I think it was Robin who says "Jari, this is Julie Nordine, she's famous." LOL. OMG, how funny is that?? I, of course, laughed & balked! They're so funny...THEY know me & think I'm famous because they know me. I don't think very many people know me... & even if they did, they wouldn't think I was famous. :o)
A friend of theirs, Barb Collins, came along for the ride because she had an electric mandrel spinner (EMS) & needed some one-on-one time w/ someone who knew the ins & outs of it. Both Robin & Carol were able to borrow EMS's from friends (Barb has two! I heard she has a thing for tools & glass!!) so I could show them the ins & outs, too. They all picked it up like THAT, which was really cool because there is DEFINITELY a learning curve w/ the EMS. When I started thinking about teaching classes w/ the EMS, someone asked me how long it took me to figure it out & I said about a week & they asked what makes me think I could teach a class how to use one in just a day or two? (& end up w/ something that they produced from it!) Good point!! It made me think... gave me a little doubt, too, ...
But the ladies proved to me that by having me explain throughout my demoing... being able to watch me & ask questions, then having me watch them in action & giving them instant feedback on what to tweak, etc, it really shortens that learning curve immensely. I DO believe, however, that you should have some beadmaking experience under your belt before learning how to use an EMS. You REALLY need to know how to manage molten glass, get the feel of it, know how it moves & how to control that movement before you take this tool on, otherwise you'll really feel like things are just out of control.
I showed them a variety of my bead styles, various techniques & color combos & they just played. They did great. It was really informal... more about showing them techniques & having them play w/ the techniques rather than specific bead styles... completely opposite of what you get w/ a REAL lampwork teacher, LOL.
Obviously it will take more thought & planning for me to put together an actual class, but this was a really great learning experience for all of us.
I CAN TEACH. I can teach... I'm pretty darn sure I can teach.
& I loved it.
Next post...the rest of the weekend. (it was a LONG weekend!)
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